Cantata BWV 140 - Commentary - Bach Cantatas Website.

It happened twice during Bach’s period of tenure at Leipzig, 1731 and 1742 (Boyd p 501) and this cantata was written for the first of these occasions and probably reprised on the second. It follows the format of the first forty chorale fantasias of the second cycle and it is thus possible that Bach intended it to reside within that set, although clearly for a different day of the church year.

Cantata BWV 140 is based around Nicolai's beautiful chorale melody Wachet Auf and develops the analogy of Christ and the bridegroom to portray the passionate love between Christ and the soul. Throughout the cantata, Bach's tuneful invention is at it very best.

Buy Cantata: No. 140 (Critical Scores) (Norton Critical Scores) annotated edition by Js Bach (ISBN: 9780393095555) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.

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Bach: Chorale Cantata. Cantata. In music, a chorale cantata is a sacred composition for voices and instruments, principally from the German Baroque era, in which the organizing principle is the words and music to a chorale. Usually a chorale cantata is in multiple movements or parts. Most chorale cantatas were written between approximately 1650.

Cantata No. 140 was composed in 1730 for the 27th Sunday after Trinity (November 25). While today it is among the most beloved of Bach’s chorale cantatas, it was infrequently performed in its day. In essence, Bach’s cantatas are miniature theology lessons: the scripture of the day is presented, Bach offers his own commentary through arias and duets, and the main conceit is eloquently.

Analyzing Bach Cantatas Eric Chafe. Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are quite few. In this book, Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of.

It is relatively rare to find two of them in the same cantata, although examples may be found in C 4 (chapter 42) and C 140 (chapter 55). Here the choice of alto and tenor voices may simply be a matter of musical balance; the first duet was for soprano and bass. Nevertheless, the placing of the two movements is of some significance, the one immediately following the fantasia and the other.

Welcome to a unique website devoted to Bach's Cantatas. You are never more than two clicks away from an original essay on each of the church and 'secular' cantatas. There are over 1000 music examples which can be heard by clicking the icons (see below). Due to ongoing contributions from readers helping to cover the cost of hosting this site, it will continue to be available for the foreseeable.

Essays. The Baroque Era. top-rated free essay The Baroque Era. Oct 08, 1999 1307 Words. Cite THE BAROQUE AGE Social and Cultural Background Baroque is a term borrowed from the visual arts and one that is used in many different senses. The Baroque Era applies to the years between 1600 and 1750. The most famous composers of this time were Bach, Handel, Vivaldi and Teleman. Politically it was an.

Bach Cantata Notes BWV 80. The grand. Some time early in his tenure in Leipzig, Bach expanded this cantata. There was no music at Thomaskirche during Lent, and the Reformation day festivities were a grand event in Leipzig. He added a large motet style movement using the first verse of the chorale, added a soprano, and presumably cut the oboe into the bass aria, using the text for the.

Johann Sebastian Bach (1685-1750) left us a wide collection of cantatas, mostly written for celebratory days of the liturgical calendar or other special celebrations. This page follows that liturgical rhythm, posting on the day the cantata(s) for that day with a Spotify, Apple Music and Deezer playlist with those cantatas.